Dispatches from Bellingham Repertory Dance

I am returning now from Bellingham Repertory Dance, in Bellingham, Washington, where I taught a five day master class in preparation for the company's upcoming fall show. 

It's been exciting and more than a little challenging to create work in such a short period of time, and to do it to the music of Richard Wagner's Der Walk├╝renritt ("The Ride of the Valkyries") from his acclaimed Nineteenth Century opera Die Walk├╝re (The Valkyrie).

The dancers have been great about throwing themselves into the work. This kind of openness and commitment from artists makes it so much easier to explore the dimensions of a complex work. Not knowing the dancers, with the exception of Hannah Andersen my former graduate colleague at University of Oregon, made coming into the process at Bellingham Repertory Dance difficult  to predict, and required a flexible approach.

Circumstances like this force me, as a choreographer and dance educator, to rely more on my intuition during the day in the studio, followed by intense meditation and analysis each night as part of the post-rehearsal process. It means bringing that energy back into the studio the next day, fostering collaboration, relying on and learning from each other, and maintaining a level of commitment and focus that creates great performances.

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The dancers will continue to rehearse weekly leading up to the work before it debuts in their fall season where, no doubt, their hard work and dedication will be a reward to them and to their audience. 

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In addition to using the work of Wagner during my time with Bellingham Repertory Dance, I was fortunate to collaborate with musician/composer Christian Cherry for other sections of the work. Cherry's music adds more dimension and emotional context to the work, and it was a pleasure to explore.

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I look forward to discovering how this work matures leading up to the premiere.